Description:

Miro Joan



Joan Miro Signs a Collector Stamp of the Anniversary of Spanish Civil War, 1936

 

Single perforated stamp on sheet 4" x 5.5". Depicting the first anniversary of the Spanish Civil War.  Numbered 09428 on verso. Boldly signed by Joan Miro in lower right corner as "Miro!" Fine condition. Housed in a fresh glassine envelope.

 

The Spanish Civil War was a conflict that anticipated much of the terrible decade that was to follow. The refusal of the British and French governments to do anything to stop German and Italian military intervention on the Fascist side was a rehearsal for the ignoble capitulation to ( der fuhrer’s) demands on Czechoslovakia of 1938 at Munich. In the British case, non-intervention was motivated in some part by fear of the Soviet Union, which did assist the Spanish Republic with arms and advisers.

 

Until the outbreak of the Spanish Civil War, Miró habitually returned to Spain in the summers. Once the war began, he was unable to return home. Unlike many of his surrealist contemporaries, Miró had previously preferred to stay away from explicitly political commentary in his work. Though a sense of (Catalan) nationalism pervaded his earliest surreal landscapes and Head of a Catalan Peasant, it was not until Spain’s Republican government commissioned him to paint the mural, The Reaper, for the Spanish Republican Pavilion at the 1937 Paris Exhibition, that Miró’s work took on a politically charged meaning

 

 Conducting his own Surrealism-inspired exploration, Miró invented a new kind of pictorial space in which carefully rendered objects issuing strictly from the artist's imagination are juxtaposed with basic, recognizable forms - a sickle moon, a simplified dog, a ladder. There is the sense that they have always coexisted both in the material realm and in the shallow pictorial space of Miró's art.

 

Miró's art never became fully non-objective. Rather than resorting to complete abstraction, the artist devoted his career to exploring various means by which to dismantle traditional precepts of representation. Miró's radical, inventive style was a critical contributor in the early-20th-century avant-garde journey toward increasing and then complete abstraction.

 

Miró balanced the kind of spontaneity and automatism encouraged by the Surrealists with meticulous planning and rendering to achieve finished works that, because of their precision, seemed plausibly representational despite their considerable level of abstraction.

 

Miró often worked with a limited palette, yet the colors he used were bold and expressive. His chromatic explorations, which emphasized the potential of fields of unblended color to respond to one another, provided inspiration for a generation of Color Field painters.

  

Artists have traditionally confined themselves to visual expression in a single medium with occasional forays into other materials. However, Miró was, in a sense, a modern renegade who refused to limit himself in this regard. While he explored certain themes such as that of Mother and Child repeatedly throughout his long career, Miró did so in a variety of media from painting and printmaking to sculpture and ceramics, often achieving surprising and disparate results.


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