Description:

Remington Frederic 1861 - 1909 From the Players Club in New York City, artist Frederic Remington writes his friend actor Otis Skinner, "D[amn] the critics … I cant paint and that ain't all my faults either…" Autograph Letter Signed "Frederic R--," 2p, 4.25" x 6.75", separate conjoined sheets. New York, no date. To [actor Otis] Skinner. On stationery engraved "The Players, / 16 Gramercy Park," embossed Players Cub symbol in upper left. Minor flaws. Fine condition.


In full, "My dear Skinner - I have your nice notice this morning. You have got red blood in your neck. I am very thankful and its one on me. Fact is - d-- the critics - you went up and you understood what I am driving at and told the folks that what I call the highest critism [sic] - I cant paint and that ain't all my faults either since people are out gunning for moats, but I ain't giving the snap away, to the Press. Any d-- idiot can tell what's wrong but its takes 4 stories above one's eyebrows to tell what's 'right.' Thank you old man. I'll remember you & I'll be at your funeral if you are buried by the corporation. We will do a turn some day-- Yours Frederic R---" Artist Frederic Remington (1861-1909) and actor Otis Skinner (1858-1942) both members of The Players, were good friends.

The Players is a private social club founded in 1888 when Edwin Booth, the greatest American actor of his time, purchased a Gothic Revival-style mansion facing Gramercy Park and commissioned architect Stanford White to transform it into a certain club "for the promotion of social intercourse between the representative members of the dramatic profession and the kindred professions of literature, painting, sculpture and music, and the patrons of the arts."

Frederic Remington lived in New Rochelle just north of the City and, according to Nancy Anderson, curator of an exhibition of Remington's Western art in Washington's National Gallery of Art in 2003, "he came into town to have lunch at the Players' Club several times a week with his friends. Then after that, either alone or with his friends, he'd go to the galleries and after that to the Metropolitan Museum."

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