Description:

Tolstoy hopes there will be time for celebrated Russian editor Lyubov Yakovlevna Gurevich to publish his daughter's translation of "Amiel's Diary" in the next issue of "The Northern Herald" - Tolstoy had helped his daughter translate and had written the foreword to the Swiss diarist's journal

LEO TOLSTOY (1828-1910) Autograph Note Signed "L. Tolstoy" beneath Autograph Letter of his daughter Masha, 1 page, 5.25" x 8.25". No place, March 23, 1894. To Lyubov Yakovlevna Gurevich. In Russian, translated. Light ink smudge and offset at upper right and lower right. Fine condition.

In full, in the upper portion of the page, "Please look through our corrections in order that our labors with 'Amiel' should not have been in vain. With friendly handshake. L. Tolstoy."

His daughter Maria had written in the upper portion of the page: "I send you ‘Amiel'. Father and I worked hard on it and father asks you to correct it carefully. He begs you to trust our own corrections. We have read it twice and checked it, it would be a pity if our work would have been in vain and printing mistakes still remained in 'Amiel'. I hope that the manuscript is in time and we did not cause you inconvenience by our unpunctuality. Are there continuations in the following numbers and how many?"

Tolstoy had written in a letter, published in Volume 2 of Tolstoy's Letters, edited by Reginald Frank Christian, "...then I have dinner and after dinner I translate Amiel with Masha (such a nice French writer - now dead - a native of Geneva) - it will be published in The Northern Herald..." In December 1893, Tolstoy wrote Introduction to Amiel's Diary, a foreword to his and daughter Masha's Russian translation of the French diary of Swiss philosopher Henri-Frédéric Amiel (1821-1881). Amiel wrote over 17,000 entries of his thoughts and observations for a period of more than 30 years.

Short story writer and novelist Lyubov Yakovlevna Gurevich (1866–1940) was the editor of The Northern Herald. According to Laurence Senelck in Stanislavsky: A Life in Letters, she "was one of the perceptive and objective literary and dramatic critics in Russian journalism."

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